As a contribution to the international contemporary art show Life Clock, artists Julius Von Bismarck and Julian Charriere have been painting on Copenhagen wildlife. 34 pigeons have been captured, painted with food dye, photographed and re-released. Making for a really spicy advertisement for the duration of the show, with six weeks until the paint is expected to wear off.
In an interview with the Kopenhagen Art Institute the curators of the show calls the dye job harmless, and admires how the low status bird have been elevated to something extraordinary. Unsurprisingly the ornithologists are not amused.
In an interview with the Kopenhagen Art Institute the curators of the show calls the dye job harmless, and admires how the low status bird have been elevated to something extraordinary. Unsurprisingly the ornithologists are not amused.
I spotted a couple of the pigeons on Town Hall Square, both separated (or outcast?) from the grey flock, and each other, and seriously stressed by people chasing them down to take their picture. I was trying to keep my distance, using the zoom, but even so I too must have been a stress factor.
I am torn because I think they look really beautiful in colors. But at the same time I don't agree with the arrogance that lies behind painting on living creatures. Especially not if it causes them harm. Even if I am not a pigeon fan (I too call them flying rats), and I mostly feel sorry only for myself when I see one flattened on the road, they are still animals. Not ours to paint on or otherwise abuse.
Two sets of orange feet.
The crippled pigeon. Now with paint. I want to apologize to this bird.
It is hard to imagine that there was a time when you at this very spot would buy pigeon seed at 10 øre a bag.

What are your thoughts on this, I wonder?
Links:
Den Frie (centre of contemporary art)
Life Clock (the exhibition introduced in English)
The curators interviewed on Kopenhagen Art Institute (in Danish only)




















































